An Analysis of Kate Chopins “Story of an Hour” - Free Essay Example

Sample details Pages: 4 Words: 1170 Downloads: 9 Date added: 2017/09/15 Category Advertising Essay Did you like this example? Throughout history, women have been restricted in their social right in silence under men’s shadow. However, as the movement for complete equality between women and men is brought up as a big issue, to have the same social quality without distinction of sex seems to have been achieved today. Furthermore, people, nowadays, know fairly well that such an inequality is not only unfair but also unjust. Don’t waste time! Our writers will create an original "An Analysis of Kate Chopins â€Å"Story of an Hour†" essay for you Create order On the other hand, despite all the efforts that have been made to promote equality, the issue sometimes comes out as a serious problem and it is still undeniable that men are dominant in society. Therefore, it is not difficult to guess how restrained life women lived in the far past. Kate Chopin treats and shows the low social position problem of women in nineteenth-century American society in her story, â€Å"Story of an Hour†. The story, on the surface, seems to claim to stand for the theme of women’s emancipation though by giving implied hidden meaning to the main character’s death (represents the only way out for freedom), the author tells us that women can’t be set free yet. In an attempt to expose the society of her times, the author describes one woman’s miserable life. The story mainly discusses the woman’s regained freedom but, at the end of the story, the woman’s death shows that it is premature to think that women can recover their autonomy. The story begins when Louise Mallard hears the news of her husband Brently’s death in a train wreck from Richards, her husband’s friend, and Josephine, her sister. Because Louise has heart disease, they tell the news with great care. Louise first feels a great loss and cries. Then she goes to her room alone. Gazing vacantly out the window, she comes to discover her new side of which she hasn’t even been aware. She realizes that she has won back her freedom which has been deprived by her husband. While she is picturing her coming free days with great pleasure, Josephine, her sister, keeps knocking at the door, being worried about Louise. Louise comes out of the room and Louise and Josephine come across Richards at the bottom of the stairs. Just at that moment, Brently, Louise’s husband, comes back surprisingly, and Louise dies. The doctor says that she has died of joy, but only readers know the truth; even if it is a period that women long and struggle for the day of free, so far, it is only a dream. In other words, as yet, they are living in an androcentric society. From the start to the end of the story, Louise’s heart disease is considered an important feature of the character. Her disease is not just a part of main character’s trait. It represents woman’s inability of her time. No matter she aspires to freedom, there is nothing she can do. â€Å"closed door† is one of the proofs that demonstrates her inability. She wants to be free and feel a sense of release but she knows that it can’t be actualized in the real world. For this reason, she closes the door because she thinks that her state of free mind can be severed from an oppressive miserable reality by doing so. â€Å"She arose at length and opened the door to her sister’s importunities. †Ã¢â‚¬â€she can’t even secure the door from the outside interference. dull stare† also indicates her enervation. Louise sees â€Å"open window† which stands for release and enjoys freedom for a while though her husband comes across her mind soon and then her eyes become dim right away. All her action shows how passive woman she is and, at the same time, implies her state of being able to do nothing. Louise doesn’t truly love her husband. Right after she hears the ne ws that her husband has died, she ironically becomes lively, happy, and free, which means she isn’t content to live under a restraint of her husband. She comes to perceive all the beautiful things around her such as â€Å"new spring life,† â€Å"delicious breath of rain,† and â€Å"patches of blue sky. † The expression in her eyes also dramatically changes from â€Å"vacant and dull stare† to â€Å"keen and bright eyes. † She feels the mood of positive change that she will soon experience. In some ways, the matter of whether or not she really loves her husband reflects the phases of the times. Women living in nineteenth-century marry someone who they don’t want. Regardless of their opinion, they marry for many reasons such as political occasions. For Louise, death is the only exit saving her from pain that should be caused in the future. Narrator refers to â€Å"—of joy that kills† in her death. Then, what leads her to death? Precisely speaking, what makes her death be joyful one? â€Å"a monstrous joy† in the text is the answer for the question. To think deeply, â€Å"a monstrous joy† can be interpreted as the author, kind of a founder of feminism literature, wants to cast a reflection of her expectation, which she has born secretly in mind, in Louise. Taking into consideration that the story is written even before female suffrage is guaranteed to woman, for an ordinary woman, who lives a serene passive life without any ambition, the unexpected loss of her husband must be something that is much bigger than just a trivial sense of loss when she first hears the news. But she shortly comes to know that she can manage to live happily without her husband, which means she has already experienced the pleasure of emancipation. Thus, now, she can’t go back to her life again. The author doesn’t let her pleasure exist only in her realm of the subconscious so Louise’s joy is expressed as an extreme reversal, which is death, of the story. Since her thirst for freedom has already reached its climax, her husband’s safe return naturally drives her to the exit which is death. Her fate is her choice, rather than giving up and, at the same time, preferable to accepting her coming miserable days. The author concludes the story by giving a sign â€Å"—of joy that kills† to readers. By doing so, the author tries to makes the meaning of Louise’s death clear. Depending on guess at the atmosphere of her times, it must have been not easy to give a vivid description of the period outspokenly as a woman. Nevertheless, in â€Å"Story of an Hour†, Kate Chopin reveals the phases of her times in which women live oppressive life in her way. She tells us that low social status of women is so obvious and unchangeable that there is no choice for women but to accept their fate even if women longs for their autonomy. Through the story, readers would be able to understand the hard fact about the period and have an opportunity to think about the issue deeply.

The Field Of Public Administration Essay - 1275 Words

The field of Public Administration is undoubtedly one of the most vast study fields there is. It is said that public administration is closely related to Management in terms of public management theories. After all Public Administration is the perfect management of people in a more vast public setting.According to Nigro and Nigro in their book Modern Public Administration, Public Administration is a co-operative group effort in a public setting which works in collaboration with the executive, legislature and judiciary of a nation, plays a significant role in the policy making process and is closely associated with numerous private groups and individuals for providence of service to the community. As public value increment is the main goal in public administration, the public management must be up to the task in optimization of service output at all times. As in public administration the Administration of the State is the service provider and we, the citizens, are their clients. As public administration is the allover perfect management of the public, it follows the principles of basic management and every task they perform can be categorized and analyzed by a certain management theory. Keeping that in mind, the main goal of this paper is to shed some light on the management theories that were formulated by scholars and the comparison of the management theories of the classical approach and new classical approach and their ways and views of analysis. The classical and newShow MoreRelatedThe Field Of Public Administration914 Words   |  4 Pagesthe evolution of the field of public administration based on the leadership style and the organizational structure. It has three part s; the first part will compare the organizational framework of popular theorists’ with special attention to the type of leadership and the environment of the organization. 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Analyzing the argument surrounding Vicky and Ying Ying Free Essays

Analyzing the argument surrounding Vicky and Ying Ying, I do adhere to the arguments pointed out by Vicky concerning the capacity of crime mapping to be used as an instrument towards harnessing opportunities for resolving crime. Under this particular scenario, Ying Ying only asserts the corresponding threats of leakage and information breach that criminals can use in order to achieve their plans of action. However, there are limited areas that explain how it can be harmful within the scope of policing. We will write a custom essay sample on Analyzing the argument surrounding Vicky and Ying Ying or any similar topic only for you Order Now Seeing this, by actively providing minor adjustments in the process of crime mapping, information security, and analysis of data, the process can indeed be further utilized as a means to convey means to reach out in the causes of crime and the corresponding trends shaping individual or group behavior. At the same time, the ability to outline specific means to categorize behaviors help law enforcement agencies to point out valid arguments concerning location, intent, and actions among criminals who operate in a particular location. This is important in developing key strategies on areas that can explore new directions towards encouraging citizens to become responsive to the needs of the community and participate in the crime-reduction process by utilizing new patterns related to crime fighting, communication, and information sharing within local authorities. How to cite Analyzing the argument surrounding Vicky and Ying Ying, Essays

True Romance Essay Example For Students

True Romance Essay Once again, Quentin Tarantino outdoes himself. The movie True Romance wasexcellent. It presented real issues that some people are forced to deal within their lives. The title of the movie is misleading. You would think thiswas going to be a lovetory. Actually it is, but unlike any love story Ive ever seen. Its filledwith violence, action, blood, guts and gore.Like most other Tarantinomovies it revolves around the violence we rarely see or experience in ourlives. He also incorporatesrugs and racism, hate and love and his usual corny way of portraying them. In Tarantino films, violence is presented in a totally different approachthan movies like Rambo or Die Hard. Although you have the same amount ofpeople dying, Tarantino seems to have this perverted and gruesome way ofpresenting it to his audiences. He always takes violence to the extreme. In the scene with the pimp hedoesnt just shoot the pimp in the back or chest. He goes right for thegustohis balls !!!! (OUCH) Another example of this is when Dennis Hopperwas killed. We all knew what hpened to him, but Tarantino makes sure he shows us the oozing bullet wound tohis head. Some people think this is taking violence too far; however, actsof this nature happen in the real world every day. I guess this is his wayof giving us a realityheck.Shit like this happens to people. We are so sheltered in ourcomfortable little worlds we dont even realize this kind of stuff goes on. We will write a custom essay on True Romance specifically for you for only $16.38 $13.9/page Order now Variety. Isnt it supposed to be the spice of life? Well, Tarantino getsso damn spicy it can make yosweat bullets. What is it about violence that is so attractive to the general public?There are so many people who would rather see a violent movie than a moviefilled with romance or adventure. If you were to compare the revenues frombox office earnings Im almospositive the movies filled with blood and guts earn much more than othermovies. (Disney is the only exception I can think of off the top of my head!!!) Naturally, if a person in the movie industry knows this will make themmega bucks , they will connue to make movies like this to make more money. Tarantino tends to slide in a little racism in his flicks. Its prettyobvious its not the main topic, but it is apparent. Hopper was unique whenhe told the Sicilian guy his great, great, great, great grandmother had sleptwith a nigger and thats y he had dark skin and brown eyes. I think Hopper knew he was a goner andwanted to insult the hell out of the guy before he died !!!!! He was socasual about the whole thing. He just sat back smoking the dudes cigaretteand blasting his family. There are so many people who say this kind of movie affects people in anegative way. They think it has an impact on criminal behavior. Thatsbullshit. I have seen violence in movies and on television and I havent hadthe smallest inkling to go ouand kill anyone or anything. I believe if a person has it in them to committhese kinds of acts they will do it regardless of what they see on T.V. or inthe movies.Their moral upbringing or lack of one would be a biggercontributing factor than vieng a movie. Movies are made to entertain. The social issues they touch on are justthat, issues. The controversy they create comes solely from the opinions ofthe viewers. Isnt that half the fun of watching a controversial movie? Itgives our minds food for tught. It affords us the opportunity to discuss what we have seen with ourfriends. We can learn from listening to how other people perceive things. .u8cc56b7b57d0fbc2ae2d91e2fa1ab76f , .u8cc56b7b57d0fbc2ae2d91e2fa1ab76f .postImageUrl , .u8cc56b7b57d0fbc2ae2d91e2fa1ab76f .centered-text-area { min-height: 80px; position: relative; } .u8cc56b7b57d0fbc2ae2d91e2fa1ab76f , .u8cc56b7b57d0fbc2ae2d91e2fa1ab76f:hover , .u8cc56b7b57d0fbc2ae2d91e2fa1ab76f:visited , .u8cc56b7b57d0fbc2ae2d91e2fa1ab76f:active { border:0!important; } .u8cc56b7b57d0fbc2ae2d91e2fa1ab76f .clearfix:after { content: ""; display: table; clear: both; } .u8cc56b7b57d0fbc2ae2d91e2fa1ab76f { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u8cc56b7b57d0fbc2ae2d91e2fa1ab76f:active , .u8cc56b7b57d0fbc2ae2d91e2fa1ab76f:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u8cc56b7b57d0fbc2ae2d91e2fa1ab76f .centered-text-area { width: 100%; position: relative ; } .u8cc56b7b57d0fbc2ae2d91e2fa1ab76f .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u8cc56b7b57d0fbc2ae2d91e2fa1ab76f .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u8cc56b7b57d0fbc2ae2d91e2fa1ab76f .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u8cc56b7b57d0fbc2ae2d91e2fa1ab76f:hover .ctaButton { background-color: #34495E!important; } .u8cc56b7b57d0fbc2ae2d91e2fa1ab76f .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u8cc56b7b57d0fbc2ae2d91e2fa1ab76f .u8cc56b7b57d0fbc2ae2d91e2fa1ab76f-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u8cc56b7b57d0fbc2ae2d91e2fa1ab76f:after { content: ""; display: block; clear: both; } READ: Defines the morality of an action EssayTHAT is what makes a movie great !!!!Music and Movies

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sero Essays sero Essay sero Essay LIST OF PETROLEUM COMPANIES OPERATING IN THE PHILIPPINES Address Contact Nos. Company 2. ALCORN GOLD RESOURCES ATTY. EDUARDO F. HERNANDEZ 3rd Floor, Tabacalera Building, 900 Phone: (632) 524-9236 / 524-9238 CORPORATION Contact Person / Designation President D. Romualdez Sr. Street, Paco Manila Fax: (632) 524-7452 ALCORN (PRODUCTION) PHILIPPINES, INC. 2/F First Life Centre 174 Salcedo Street, Legaspi Village, Makati City (632) 813-0623 / 54/44/59 (632) 812-9828 2/F First Life Centre 174 Salcedo Street, Legaspi Village Executive VP General Manager 3. ALTISIMA ENERGY, INC. Makati City, Philippines 4. ALSONS CONSOLIDATED RESOURCES, INC. Alsons Bldg. , 2286 Pasong Tamo Extension, Makati City MR. MELVIN AL ROY 5. ANGLO-PHILIPPINE OIL MINING MR. CHRISTOPHER M. GOTANCO 6/F Quad Alpha Centrum Building, 125 Pioneer St. , Mandaluyong City 7. 8. BASIC CONSOLIDATED, INCORPORATED COPLEX RESOURCES NL FORUM EXPLORATION, (632) 817-5506 (632) 894-0655 (632) 631-5139 / 634-8573 President Director 6. Treasurer (632) 631-3113 6/F Basic Petroleum Bldg. , Carlos Palanca Jr. St. , Legaspi Village MR. OSCAR DE VENECIA (632) 817-8596 to 98/817-8642 to 43 632) 817-0191 (613) 6232-9900 Roxburgh House MR. PETER S. SALUD 160 Elizabeth Street, Tasmania 7000 Australia MR. KENNETH J. FELLOWES Managing Director 22/F Citibank Tower 8741 Paseo de Roxas (613) 6231-2263 9. GLOBAL EXPLORATION (GLOBEX) INC. (713) 463-7710 suite 1680, Houston, Texas 77024 (713) 463-7722 NYK tennoz Building, 2-2-20, Higashi-Shinagawa, Shinagawa-ku, Tokyo, Japan Chairman (632) 848-1075 (632) 848-1137 Memorial Plaza II, 820 Gessner MR. JOHN C. MILLER Phone: +81-3-5461-7327 MR. RICHARD P. CRIST Exploration Director 10. JAPAN PETROLEUM EXPLORATION CO. LTD. CAPEX) YAYUSHI HAMADA Senior Geologist 12. 3. NIDO PETROLEUM PHILIPPINES pn. LTD. NOVUS PETROLEUM LIMITED ORIENTAL PETROLEUM MINERALS CORP. MR. JOE SALOMON Manager DR. PHILIP VINGOE Director MR. JAIME L. LEDESMA Vice President MR. APOLLO P. MADRID General Technical +81-3-5461-7396 E-mail: [emailprotected] co. Jp (612) 9248-0766 11. (612) 9248-0767 (612) 9299-4077 29th Floor, Galleria Corporate Center (632) 633-7631 / 240-8801 Edsa cor Ortigas Ave. , Quezon City (63 2) 636-2924 Orangehill,451 Bregory Terrace, (61-8) 3216-1000 Spring Hill, Brisbane 4006 61-8) 3216-1888 Level 9, 321 Kent St. GPO BOX 4830 Sydney 2000, NSW, Australia GPO BOX 4830, Sydney NSW 2001 Australia Executive Senior Vice President Operations 14. PACRIM ENERGY LIMITED (AS of 5 April 2002) MR. KERRY W. DOBLE Executive Director MR. EDWARD F. DURKEE Director Exploration Queensland, Australia 15. PANCONTINENTAL OIL GAS N. L. MR. EDWARD SVALBE Managing 127 Edward St. , Perth, Western Australia 6000 P. PETROENERGY RESOURCES MS. MILAGROS V. REYES (632) 631-8151 to 59 (632) 631-3870 / 631-5310 Queensland 400, Australia 18. MR. ALFREDO C. RAMOS /F Quad Alpha Centrum Bldg. 25 Pioneer St. , MR. FRANCISCO A. NAVARRO PHILODRILL CORPORATION Mandaluyong City Vice President-operations 19. PHOENIX ENERGY CORPORATION ATTY. ANTONIO Q. SEVILLA 20. PHILIPPINE NATIONAL OIL COMPANY-EXPLORATION CORPORATION (PNOC-EC) (632) 892-2946 6/F Sagittarius Condo 1, H. V. dela Costa St. , Salcedo WI, Makati City (632) 815-2855 MR. RUFINO B. BOMASANG president CEO Energy Center, Merritt Road (632) Fort Bonifacio, Makati City (632) 840-2015 / 1608 Vice-president COO COMPANY ENERGY DEVT. MR. RAFAEL E. DEL PILAR 21. (632) 817-5420

A Collection of Classic and New Poems for Winter

A Collection of Classic and New Poems for Winter When the cold winds begin to blow and the nights reach their longest stretch at the solstice, winter has arrived. Poets through the ages have lent their quills and pens to write verses about the season. Snuggle up around the fireside with a snifter of brandy or a mug of hot chocolate or go out to greet the late morning sunrise and contemplate these poems. This anthology of winter poems begins with a few classics before suggesting some new poems for the season. Winter Poems from the 16th and 17th Century The Bard of Avon had several poems about winter. No wonder, since the Little Ice Age kept things chilled in those days. William Shakespeare,â€Å"Winter† from  Loves Labours Lost (1593)William Shakespeare,â€Å"Blow, Blow Thou Winter Wind† from As You Like It (1600)William Shakespeare,Sonnet 97 - â€Å"How like a winter hath my absence been† (1609)Thomas Campion,â€Å"Now Winter Nights Enlarge† (1617) Winter Poems from the 18th Century The pioneers of the Romantic Movement penned their poems end of the 18th Century. It was a time revolution and enormous changes the British Isles, the colonies, and Europe. Robert Burns,â€Å"Winter: A Dirge† (1781)William Blake,â€Å"To Winter† (1783)Samuel Taylor Coleridge,â€Å"Frost at Midnight† (1798) Winter Poems from the 19th Century Poetry blossomed in the New World and female poets also made their mark in the 19th century. Besides the power of nature in winter, poets such as Walt Whitman also took note of the technological and manmade environment. John Keats,â€Å"In drear-nighted December† (1829)Charlotte Brontà «,â€Å"Winter Stores† (1846)Walt Whitman,â€Å"To a Locomotive in Winter† (1882)Robert Louis Stevenson,â€Å"Winter-Time† (1885)George Meredith,â€Å"Winter Heavens† (1888)Emily Dickinson,â€Å"There’s a certain Slant of light† (#258)Emily Dickinson,â€Å"It sifts from Leaden Sieves† (#311)Robert Bridges,â€Å"London Snow† (1890) Classic Winter Poems from the Early 20th Century The early 20th century saw enormous changes in technology and also the carnage of World War I. But the change of season to winter was a constant. No matter how much mankind seeks to control the environment, nothing holds back the onset of winter. Thomas Hardy,â€Å"Winter in Durnover Field† (1901)William Butler Yeats,â€Å"The Cold Heaven† (1916)Gerard Manley Hopkins,â€Å"The Times Are Nightfall† (1918)Robert Frost,â€Å"An Old Man’s Winter Night† (1920)Wallace Stevens,â€Å"The Snowman† (1921)Robert Frost,â€Å"Dust of Snow† and â€Å"Stopping by Woods on a Snowy Evening† (1923) Contemporary Winter Poems Winter continues to inspire modern-day poets. Some may achieve the title of classics in the decades to come. Browsing them can enlighten you as to how poetry is changing and people are expressing their art. You can find most of these poems online. Enjoy this selection of poems on winter themes from contemporary poets: Salvatore Buttaci, â€Å"From Cold Unblinking Eyes†Denis Dunn, â€Å"Winter in Maine on Rte 113† and â€Å"Silent Solstice (Winter Becomes Maine)†Jim Finnegan, â€Å"Flightless Bird†Jesse Glass, â€Å"The Giant in the Dirty Coat†Dorothea Grossman, Untitled winter poemRuth Hill, â€Å"Land of Long Shadows†Joel Lewis, â€Å"Making a Meal Out of It†Charles Mariano, â€Å"This Winter†Whitman McGowan, â€Å"It Was So Cold†Justine Nicholas, â€Å"Palais d’Hiver†Barbara Novack, â€Å"Winter: 10 degrees†Debbie Ouellet, â€Å"North Wind†Joseph Pacheco, â€Å"Cold Winter Morn in Florida†Jack Peachum, â€Å"The Migrant†Barbara Reiher-Meyers, â€Å"Blizzard† and â€Å"Sweet and Bitter†Todd-Earl Rhodes, Untitled poemRobert Savino, â€Å"Shortcut Through the Storm†Jackie Sheeler, â€Å"Underground Xmas†Lisa Shields, â€Å"Reaching for White† and â€Å"Climate Change†Aldo Tambellini, â€Å"October 19, 1990†Joyce Wakefield, â€Å"Winter Conversation†

Tragic Dramas of Oedipus Rex and Antigone Essay

Tragic Dramas of Oedipus Rex and Antigone - Essay Example It was up to the playwrights to teach the people how to behave and the rules of society within the metropolis. While many of the plays were comedies, demonstrating the more ridiculous consequences that could be experienced if individuals did not abide by the established codes of conduct, others were dramas, revealing much more serious potentialities that could affect more than just the average citizen. As they were presented, these dramas demonstrated the degree to which the entire culture could be disrupted if someone in power chose to break the rules. Some of these dramas have survived into the modern day because they had such a profound effect on their audiences and told stories about mythological or legendary characters and events. Dramas such as Oedipus Rex and Antigone are good examples of this kind of tragic drama. To qualify as a tragic drama, Aristotle identified three main factors that were present in every tragic drama and which were essential to the plot development. Thes e factors were referred to as hamartia, anagnorisis and peripeteia. The term hamartia commonly refers the idea of a tragic flaw (Aristotle, 1282). It is the concept that a noble person will fail due to some inherent flawed portion of his character which causes him to engage in a specific behavior pattern or make an error in judgment rather than due to the manipulations of a vengeful god or as a result of violating the gods' laws. Although the audience might see it, even they are not necessarily supposed to recognize the hero's mistake or misbehavior at the time he commits it, but it will eventually become clear through the action of the play that without this mistake, the tragedy would not have happened. This eventual realization of the initial mistake on the part of the character is what is referred to as anagnorisis (Aristotle, 1283). In Aristotelian terms, this word essentially means recognition. In most cases, this realization occurs suddenly for the character in a kind of epiph any moment when the hero finally understands that they brought this fate on themselves. This epiphany can also shed light on the true nature of all the characters within the play, sometimes something much different than what was expected or assumed. The anagnorisis leads naturally into the third element, that of peripeteia. This term refers to a sudden reversal in action or position based upon logic and intellect (Aristotle, 1283). In tragic drama, it refers to the reversal of the character's fortunes - everything they had is lost. This reversal of fortunes flows naturally as a part of the story, but it usually takes the audience, and the character, by surprise. Although this idea can be traced as a part of the hero’s character, it was more typically used to refer to the external circumstances surrounding the event and the character. Understanding these key elements of a tragic drama helps modern day students characterize these plays simply by looking to see if they adhere to the concepts. In Oedipus the King, for example, the action opens as Oedipus addresses his people, who have come to him hoping he will cure their city of a plague. Rather than encourage them to pray to the gods, Oedipus ridicules them for their prayers and tells them they should have come to him first: â€Å"What means this reek of incense everywhere, / From others, and am hither come, myself, / I